WGBH Headquarters

[lexicon506]

I had completely forgotten about this project until I stumbled onto a website a few minutes ago. According to the webcam, they're pretty far along already. The location for the new headquarters is right off the turnpike in Brighton.

Here's the link to the project's website,
http://campaign.wgbh.org/index.html
And also the architect's website,
http://www.polshek.com/prog_wgbh.htm

I thought that the building looked familiar, and then I saw that Polshek also designed the Clinton library in Little Rock, which I went to a couple of weeks ago. The two designs are kind of similar (although the library is MUCH better, imo).

[philip]

Heres a link to a Boston Globe article about this. Theres also another link that takes you to a gallery with more pics and info.

http://cache.boston.com/bonzai-fba/Original_Photo/2006/06/17/1150518933_0931.jpg

http://www.boston.com/realestate/news/articles/2006/06/17/wgbhs_new_home_to_open_citys_western_gateway/

[palindrome]

I drive by this regularly, and they are somewhat far along with the development of this. I expect them to be completed with the exterior as early as the end of the year, and no later than probably this time next year for the rest of the building. I must say though, it is somewhat ugly in real life. I will hold my final judgement till the end though.

[palindrome]

I drive by this regularly, and they are somewhat far along with the development of this. I expect them to be completed with the exterior as early as the end of the year, and no later than probably this time next year for the rest of the building. I must say though, it is somewhat ugly in real life. I will hold my final judgement till the end though.

[Merper]

I must say though, it is somewhat ugly in real life. I will hold my final judgement till the end though.

its somewhat ugly in the renderings too. and its urban merits are just about nil. Its only appealing feature is the giant video screen....

....to be seen by drivers on the pike.

[quadratdackel]

This project should have taken place smack down on the should-be-demolished Midtown Hotel on Huntington Ave across from the Christian Science plaza. That would put it right in the middle of the Avenue of the Arts district, half a block from Symphony Hall, and guarantee that it would be a major destination. WGBH's concept for what goes on inside the building is excellent, but they totally botched the location. Unless they have some obscure reason for not being in the city, their touting how environmentally friendly their building is (http://campaign.wgbh.org/studios/green.html) while locating it nowhere near transit (or anything else, for that matter) is either stupidity or hypocrisy. They say they'll have "Shuttle buses and other incentives to encourage alternatives to on-site staff parking", which means you might be able to get there without driving, but it's probably going to suck.

The only hope is that that whole area someday gets built out really well- I believe this is near where Harvard's proposing its huge Allston Landing development, and where someday there may be "Fast Track" commuter rail service.

[ablarc]

The only hope is that that whole area someday gets built out really well- I believe this is near where Harvard's proposing its huge Allston Landing development, and where someday there may be "Fast Track" commuter rail service.
You can count on the NIMBYs to derail that.

And anyway, the architects' preliminary plan is anything but inspiring.

Merper, I think your relocation of WGBH is brilliant.

And the building under construction is a sad, suburban abomination. Fie.

[Merper]

actually, that was Quad doing the relocating, and I concur, that would have been better than this.

[ablarc]

actually, that was Quad doing the relocating, and I concur, that would have been better than this.
Thanks, Merper. Sorry, Quad; that's a really good idea you had. Too bad you couldn't have gotten that idea to them before they started. Fits like a hand in a glove.

[Ron Newman]

Too bad they couldn't have moved into the Christian Science Colonnade building, which the church is now planning to vacate. It even has a history of housing TV and radio studios, having been the home of the ill-fated Monitor Channel and Monitor Radio.

But from WGBH's point of view, the main virtue of Brighton Landing is simply that it's a very short distance from their current location, thus minimizing the disruption to employees.

[Merper]

that still doesn't explain why a brand new, purely suburban piece of crapcitecture was put up.

[ablarc]

Too bad they couldn't have moved into the Christian Science Colonnade building, which the church is now planning to vacate.
Yeah, but then we'd still be stuck with the Midtown. ;)

[Ron Newman]

that still doesn't explain why a brand new, purely suburban piece of crapcitecture was put up.

It's not a new building, it's a fit-out of an existing building.

[Merper]

thats still not a good excuse, and anyways, i think most of the structure is new

[Waldorf]

that still doesn't explain why a brand new, purely suburban piece of crapcitecture was put up.

It's not a new building, it's a fit-out of an existing building.

Actually, Ron, half of the new WGBH facility will be in an existing building, while the other half (studios, etc) will be in a brand-new state-of the art suburban piece of crapcitecture.

[KentXie]

Macomber to transfer WGBH project to Turner Construction
Boston Business Journal - 11:38 AM EDT Fridayby Michelle HillmanBoston Business Journal

Macomber Builders is transferring one of its major projects, the new $76 million headquarters for WGBH Boston, to Turner Construction.

The news that WGBH and Boston-based Macomber would part ways with one of its remaining clients is the latest setback for the 102-year-old construction firm. In April, a fatal accident occurred at the site of a Macomber project on Boylston Street, where it is finishing a residence hall for Emerson College.

"WGBH and Macomber have been working closely to assess the best way to keep the WGBH headquarters project on track, moving forward to a successful completion," Jeanne Hopkins, vice president of communications for WGBH, said in a statement.. "Together we have determined that it is in the best interests of the project to transfer the construction management to another company. WGBH and Turner Construction Co. are working on a proposal for Turner to assume management of the project."

Hopkins said in a statement that the final transfer is pending completed discussions involving WGBH, Turner and Macomber. She said that Macomber and WGBH are working "cooperatively" and it appreciated the "honorable way in which Macomber is handling this matter with us."

"We respect and value their integrity and fine work. Given the financial strength of WGBH, and our commitment to the success of the project, we are confident it will move forward seamlessly and be completed on a timely basis," she said.

James Loud, senior project manager at Macomber, sent a memo to subcontractors Wednesday regarding the transfer. John Macomber, president of the construction company, was not immediately available for comment.

Turner officials did not immediately return calls for comment.

Following a final decision to transfer WGBH's Brighton project, remaining Macomber projects include Emerson's $50 million Residences at Piano Row, the $41 million headquarters for the Institute of Contemporary Art on the South Boston waterfront and the Woburn High School project.

John Macomber, the fourth generation to run the company, had recently notified employees that the company would not pursue a planned renovation project at Harbor Towers. Macomber, in a previous interview with the Boston Business Journal, said he decided that the renovation project, which is valued at less than $100 million, had become too large for Macomber and that it was "beyond what they would be prudent to take on with us at this time."

John's father, George Macomber, lives in one of the condominium units at Harbor Towers, which overlooks the Boston Harbor and the future Rose Kennedy Greenway.

Macomber said in the previous interview that he is focusing on finishing existing projects and is not taking on any new jobs. Though he admitted the company was losing staff -- from 110 employees two years ago to 60 employees by the end of this year -- he said he didn't think the company was in danger. He said the company would decide this winter "how aggressively to crank the company back up at that time."

[statler]

John's father, George Macomber, lives in one of the condominium units at Harbor Towers, which overlooks the Boston Harbor and the future Rose Kennedy Greenway.

Huh..wha...WHAT? Why is that in there? :?:

[JoeGallows]

Hate to drag up an old thread like this, but I was in the area the other day and hastily took some photos while running to the bus.

http://fb.xenostarz.com/joestuff/construction/WGBH1.jpg

http://fb.xenostarz.com/joestuff/construction/WGBH2.jpg

http://fb.xenostarz.com/joestuff/construction/WGBH3.jpg

[Waldorf]

Super!

Where's the video board or did they scrap it?

[JoeGallows]

Super!

Where's the video board or did they scrap it?

The video board is still a go last I heard/saw. It is barely visible as an unfinished looking area at the far end of the glass section in the last photo. Last I went by it on the Pike (2 months ago), it looked like it was being worked on slightly.

[bosdevelopment]

anyone else find this monstrosity out of place on market street? This design is a better fit down by the iCa.. or, better yet, nowhere.

[czsz]

Weird building in a weird location. Oddly, Montreal's Maison du Radio Canada (public media equivalent) suffers from the same ills.

[Merper]

its got that spankin' new office park feel to it.

I think it actually looks worse than it did in the renderings - and those were bad.

[ablarc]

Ghastly.

[Beton Brut]

Ghastly.

Pretty much...

I expect more fron Polshek, in light of his work at the Brooklyn Museum...This is an uninspired rehash of the Clinton Presidential Library, done on the cheap...The way that the Polshek addition crashes into that nondescript turd of an office building is really aweful...

[kz1000ps]

That blue metal paneling looks horrible in person, and I almost feel bad for that bland office building that's getting eaten alive by the addition.

A cruddy picture from yesterday afternoon while I was driving..
http://img250.imageshack.us/img250/2372/img1676no7.jpg (http://imageshack.us)

[statler]

http://multimedia.heraldinteractive.com/images/293261f53a_mural_09172007.jpg
WGBH switches on digital mural at new Brighton digs
By Donna Goodison
Monday, September 17, 2007 - Updated 10h ago

MassPike commuters tired of seeing the same billboards day after day as they drive into Boston will be greeted by more arresting images starting today.

WGBH Boston will flip the switch on the giant digital mural that graces its new $85 million, glass headquarters in Brighton that will house 900 employees. The public broadcaster hopes the mural becomes as recognizable a landmark as the Citgo sign in Kenmore Square or artist Corita Kent?s rainbow swash on the gas storage tank off the Southeast Expressway.

The broadcaster?s 30-foot by 45-foot LED mural - which starts as vertical slivers that run across the west side of the building and culminates in a large screen that juts out over the Pike - will feature new images each day from 6:30 a.m. to 7 p.m.

Static and slow-moving images will be selected to reflect WGBH?s mission to ?educate, inform and inspire? through its programming, according to Chris Pullman, WGBH?s vice president of branding and visual communication. Many will be linked to WGBH?s programming content that day.

?We wanted to try to make the architecture of our new headquarters in some way help people understand what we did here,? said Pullman, who conceived the idea. ?There are no promotional pitches, there are no calls to action. There?s just a beautiful engaging image - we hope.?

First up today are leaping dancers performing works by African American choreographers.

Other images this week will include photos of deep space taken by the Hubble Space Telescope, rapidly moving cloud formations atop Hawaii?s Haleakala volcano on Maui, historic images of the Japanese attack on Pearl Harbor, and panoramic views of murals by Mexican artist Jose Orozco.

The digital mural has the same light-emitting diode technology used in the large animated signs in New York City?s Times Square. It will be visible to eastbound commuters from about a mile and a half away, and westbound drivers also will be available to catch a glimpse.

?We really moved radically away from our first notion that this somehow would be an extension of the television medium,? Pullman said. ?We selected the term mural . . . because mural connotes something that is basically static as opposed to television...and it also connotes something that is artistic and calm rather than commercial and active.?

Each daily mural image also will appear on WGBH?s Web site, www.wghb.org, with a link to a short explanation of its significance. The site accepts suggestions for future mural images, and WGBH hopes to eventually accept submissions, perhaps through a call to artists. Among the 265 suggestions fielded in the last week were images of flowers, trees and starving children in Darfur.

At night, the digital mural will feature images of the evening sky over Boston, as seen from the west.

?It?ll be an image that we draw from a Web data source where you can put in your latitude and longitude and your point of view, and they will give you a map of the heavens for that day,? Pullman said. ?It will slowly change as the heavens change, and it will just sit there overnight . . . like a screensaver.?

Pullman acknowledged that many people were worried that the mural would serve as a distraction for notorious Massachusetts drivers already fiddling with their cell phones or morning cups of coffee.

?We?ve taken a lot of care to consider that issue,? he said.

While the LED signs are designed to be bright, WGBH can tweak its mural just as one can control the brightness of a computer screen.

?We?re trying to calm the thing down so it has the quality of actually being painted on the side of the building,? Pullman said. ?It?s not going to be hyped up. We just hope that people find it to be an amusing and interesting little event in their daily commute.?

Link (http://www.bostonherald.com/business/general/view.bg?articleid=1031974)

[czsz]

Didn't see today's image on the website, but I did find these interior renders:

http://campaign.wgbh.org/images/studios/big_img_lobby.jpg

http://campaign.wgbh.org/images/studios/big_img_controlrm.jpg

http://campaign.wgbh.org/images/studios/big_img_fmstudio.jpg

http://campaign.wgbh.org/images/studios/big_img_theater.jpg

[ckb]

A bridge to the future in Brighton
WGBH settles into a picture-perfect digital age home

By Robert Campbell, Globe Correspondent | September 16, 2007


The new WGBH headquarters is like an improbable marriage. A handsome success is wedded to a dowdy loser.

The good-looking spouse is a spectacular piece of architecture. Designed by the Polshek Partnership, of New York, it features a bridge that soars across Guest Street at the corner of Market in Brighton. The bridge then thrusts out above the Mass. Pike, where it ends in a 30-foot-tall illuminated LED mural.

Like a slideshow in the sky, the mural will offer Boston-bound drivers a new image every day. This is the first serious example in Boston of a kind of architecture we're beginning to see elsewhere, in Times Square, for example, in which the architectural fa?ade of a building is no longer made of the traditional brick, stone, steel or glass but is, instead, an ever-changing, programmable image.

Call it digital architecture. Architecture and media become one. It's a horrifying prospect for the future of human life. Who wants to live in a city that's been designed as an outdoor multiplex screening room?

That nightmare, though, is in the future, and for now, here at WGBH, digital architecture looks pretty good. The station says images will be modest, and Boston city planners promise us that LED murals won't pop up everywhere. You can judge for yourself when the WGBH mural lights up tomorrow for the first time.

The mural is only the highlight of an impressive new building. The problem, alas, is that this new building is joined to a turkey.

Most of the station's employees are shoe-horned into an older building known as 10 Guest St., a structure that is of no architectural distinction indoors or out.

WGBH bought part of 10 Guest, built its new building across the street, and connected new and old with the bridge, which spans the street. The bridge is like a yoke that pairs a fresh colt, full of life and spirit, with a tired draft horse.

The bridge itself is great. Much more than merely a bridge, it's the dominant feature of the whole complex. It's 50 feet wide and two stories tall, sheathed with glass, filled with offices and meeting rooms. It's bold, fresh, memorable architecture, and it creates for the station a kind of architectural logo. It also begins to give shape to a neighborhood - once the city's stockyards - that's otherwise forgettable.

As for No. 10, by contrast, employees call it "corporate." The office layouts are tightly spaced, grid-like and repetitive, and the colors are white and gray. One place looks pretty much like another. It's hard for a department to feel any sense of identity with its own turf. The Polshek firm was the architect for this renovation, too, perhaps uninspired by the drab existing building.

Windows are plentiful, but they're located on public corridors that run along the outside edge of each floor. The idea here was to be democratic: No office would boast a private window. All windows would be shared. The concept works all right where employees occupy a pool of cubicles, because light flows over the low partitions. But when partitions are full height, things begin to feel dark and cramped. In neither case is there anything like the inventive, open, colorful, free-form life of other recent office space in Boston.

The best you can say about 10 Guest is that it's no worse than the rat mazes WGBH used to occupy in 12 separate buildings on Western Avenue - although even those, with the orneriness of human character, are now remembered fondly by some for their informality.

Back to the good news, though, which is the fine new building with its bridge. The architects, the Polshek Partnership, are perhaps best known for the Clinton presidential library in Arkansas and the Rose Center for Earth and Space at the Museum of Natural History, in New York.

I like almost everything about the new building. The architecture is unfussy, crisp, modern, perhaps slightly factory-like in appearance. A key player in determining that was Chris Pullman, a nationally respected graphic designer whose title at WGBH is the slightly "1984"-ish "vice president for branding and communication."

Pullman likes the unpretentious factory look. "We manufacture content," he says. WGBH produces, in fact, about one-third of all prime-time national broadcasting on PBS. Pullman's aesthetic is dry but it isn't cold, although he did seem a bit uptight on a recent visit, when he was annoyed by a pile of balloons someone had placed near the entrance.

The new performance spaces and other facilities look handsome and generous to this non-specialist. (For some reason, radio and recording studios - everywhere, not just at 'GBH - always seem to be black. Since no listener sees them, why is this?) There's an obvious effort to welcome the public. You can look into some of the studio interiors, at least at night, from the adjoining Market Street sidewalk. (Planners at the Boston Redevelopment Authority pushed for this kind of transparency.) The main arrival lobby is big enough for parties, fund-raisers, and other public events. A 210-seat theater is an elegant gem, to be used for public screenings and other purposes.

Like most new buildings in Boston, WBGH is "green" in the sense that it expects to attain a LEED (Leadership in Energy and Environmental Design) certification, albeit the lowest level. Much of the building is built with recycled materials. There are solar panels on one flat roof, and another is to be covered with grass. Total construction cost, including equipment, for the new building and the renovation of the old came to about $85 million, or about $250 per square foot. Things weren't helped by the business collapse of the original contractor, which one participant estimates cost $6 million. But construction prices have risen so fast in the last two or three years that, already, WGBH looks like a bargain.

The biggest nod to the public, of course, is the mural. Pullman will be the one programming it. Most of the images, he says, will come from the station's vast archive. WGBH negotiated with the city to get permission for the mural, and the result is an agreed set of rules. Nothing is to be commercial or promotional. There will be mostly pictures, with few words. Images will be static or slowly moving. There will be "no third party messages, no calls to action." WGBH says the mural will only function at peak turnpike traffic hours, which seems a pity.

Some early critics complained that the mural would be a dangerous distraction to drivers. More likely, it will be a mild relief from the boredom of motoring the turnpike. It will be fun to see how the station decides to use it. Maybe Julia Child at Thanksgiving?

Robert Campbell can be reached at camglobe@aol.com.

[statler]

The idea here was to be democratic: No office would boast a private window.
How very PBS.

Take that as you will.

[ckb]

it features a bridge that soars across Guest Street

Uh, oh, I hope our friend Scott van Voorhis isn't reading!

The Polshek firm was the architect for this renovation, too, perhaps uninspired by the drab existing building.

I, too, wonder about the decision making to not do very much with the existing building. It should have been relatively easy to tear down the existing curtain wall and replace it with a more distinctive version. And similarly with the interior (although I can only go by Mr. Campbell's description -- it sounds like any suburban commercial office building).

All concept to get that "digital architecture" (i.e. video billboard) out over the Pike, and no substance.

[statler]

Now, Pike drivers get the big picture
WGBH offers shifting images on giant screen based in Brighton

http://cache.boston.com/bonzai-fba/Globe_Photo/2007/09/19/1190189562_4554.jpg
WGBH is seeking ideas on what to display onscreen at its Brighton offices.
(Essdras M. Suarez/ Globe Staff)

By Michael Levenson, Globe Staff | September 19, 2007

Yesterday, it featured succulents - six inoffensive close-ups of cacti and yucca. Today, the lineup calls for colorful paintings by the Mexican muralist Jos? Orozco. Sunday, it will be photos of the Japanese attack on Pearl Harbor.

WGBH activated a three-story screen this week that can display shifting images from its headquarters on the south side of the Massachusetts Turnpike in Brighton, giving thousands of drivers their first glimpse of what the station hopes will become a landmark, on par with the Citgo sign and the gas tank painted by Sister Corita Kent.

Every day, from 6:30 a.m. to 7 p.m., the screen will feature a changing display of about a half-dozen images on a specific theme - Curious George, the Boston Symphony Orchestra, clouds wafting atop a Hawaiian crater. The still photos, beamed out by energy-efficient LED technology, will change every 30 seconds under guidelines established by the city and community groups, with the whole loop repeating every three minutes or so.

But the screen, which WGBH calls a digital mural, is forcing the public radio and television station to walk a fine line between promotion and education with the photos it displays, and to weigh concerns about safety for the 500,000 eastbound drivers who will pass it every week. Images of the station's hosts are out (too promotional). So is anything risqu? (poor taste), anything with text (potentially distracting), and anything with a narrative arc - such as a lion chasing a gazelle, which might draw motorists' attention for too long.

The screen is the first of its kind to be licensed in Boston, and officials acknowledged it is an experimental venture for the Hub, introducing a flavor more common in venues such as Times Square and Las Vegas. Boston officials and WGBH want this incarnation to be distinctly different, more subtle and placid without being boring.

"In the best possible sense, we hope it's a gift to the city and not a blight on the landscape," said Christopher Pullman, vice president for branding and visual communications at WGBH.

Some commuters who speed by on the Turnpike every day welcomed the 30-by-45-foot screen as a pleasant diversion in an otherwise drab cityscape. Others worried that a display of celebrated paintings, seminal historic events, or world landmarks is bound to cause an accident.

"It's just another distraction you don't need on the road," said Craig Tiedemann, a lawyer who drives the Pike every day from Brighton to his office downtown. "You've got people changing their DVD players in their cars and on their phones and now we've got to look at this slide show? I think it's a risk."

But Charlie Vasiliades, who saw the cacti yesterday morning on his daily bus ride from Brighton into downtown Boston, was impressed.

"It's really very elegant," said Vasiliades, who works for the state Department of Housing and Community Development. "It's nice to have something new and fresh. I think it's an attraction and I like it."

WGBH proposed the screen to the Boston Redevelopment Authority three years ago as part of its plans for a new state-of-the-art headquarters on Market Street. Pullman said the station wanted to take advantage of its location on the highway to raise its profile without offending drivers or violating WGBH's civic-minded tradition.

In meetings with the BRA and Allston-Brighton residents, WGBH agreed on a series of limits. No video. The images must change slowly, like a slide show. After 7 p.m., a "screensaver" must be displayed (WGBH has chosen a "tranquil image of the evening sky over Boston as seen from the west"). No product advertising. And the station's call letters may accompany the photos for only 2 1/2 hours in the morning and 90 minutes in the afternoon.

"It gave us a comfort level to know that, with those parameters, it really cannot go completely wrong," said Prataap Patrose, the BRA's director of urban design. "It was not about hitting you over the head with what the image of the day was. It was much subtler."

Each image is inspired by PBS programming. The succulents evoke the Victory Garden, for example, and the photos of Pearl Harbor are from the Ken Burns documentary on World War II. Monday at 11 a.m., the screen went live with an image of leaping dancers from Dayton Contemporary Dance Company, part of the show "Great Performances."

"It's covertly promotional, in the sense that we do hope people understand who is in the building and what they do," Pullman said, "but we're not trying to sell them anything."

Now, WGBH is soliciting more ideas from the public for future displays. About 350 people responded to an online poll, suggesting images as diverse as children starving in Darfur and the view of outer space from the Hubble Space Telescope. WGBH and local officials hope drivers will look forward to seeing what images are chosen every morning.

"I would say it has the capacity to become a major landmark for Allston-Brighton," said Representative Kevin G. Honan, who represents the neighborhood. "It's definitely eye-catching. You can't miss it. And you'll certainly know you're entering Allston-Brighton."

Michael Levenson can be reached at mlevenson@globe.com.
Link (http://www.boston.com/news/local/articles/2007/09/19/now_pike_drivers_get_the_big_picture/)

[Bos77]

"It's just another distraction you don't need on the road," said Craig Tiedemann, a lawyer who drives the Pike every day from Brighton to his office downtown. "You've got people changing their DVD players in their cars and on their phones and now we've got to look at this slide show? I think it's a risk."

WWWAAAAHHHH.... cry me a f@cking river.

Now if only the rest of the building (especially the original part) weren't so boring.

[czsz]

In today's NY Times:

http://graphics8.nytimes.com/images/2007/09/19/arts/polspan.jpg

Three New Buildings About Communication Are Also Designed to Communicate
By ROBIN POGREBIN
Published: September 19, 2007

Polshek Partnership Architects does not specialize in media buildings. But in an odd confluence, three such projects by this firm are opening in succession. Among them is the enlarged S. I. Newhouse School of Public Communications at Syracuse University, which is to be dedicated today by Chief Justice of the United States John G. Roberts Jr.

The $23 million Newhouse School, an expansion and renovation of two existing buildings, features a three-story glass atrium intersected by pedestrian bridges and ? perhaps most strikingly ? a glass curtain with the words of the First Amendment projected onto it.

On Monday the new home of the WGBH public broadcasting station opened in Brighton, Mass. The third building, the Newseum and Freedom Forum headquarters, a bigger, higher-tech reinvention of the former Newseum in Arlington, Va., is to open in Washington next spring.

Each of these media-themed clients was looking for a strong new physical identity, something that Polshek Partnerships recently provided for such prominent public institutions as the Brooklyn Museum, with its contemporary glass entrance pavilion and plaza (2004), and the Rose Center for Earth and Space at the American Museum of Natural History in Manhattan, with its enormous sphere in a transparent cube (2000).

At the Newhouse School the architects faced the challenge of uniting and reviving two existing buildings, a 1964 structure by I. M. Pei and a 1974 design by Skidmore, Owings & Merrill. To ease movement between the buildings and draw students out of the underground spaces in Mr. Pei?s building, Polshek Partnership came up with the three-story atrium, which the bridges link to surrounding classrooms, lounges and research spaces.

?There were no social spaces for people to interact,? said Tomas J. Rossant, the partner in charge of the project. ?Meeting rooms, work rooms, digital rooms, where they eat ? all that sort of stuff has moved toward the light.?

Although the words of the First Amendment are stable, they run behind beams of the building, creating a news-ticker effect. ?We wanted to do something that felt digital, that felt kinetic,? Mr. Rossant said.

WGBH, which produces high-profile public television series, including ?Nova,? ?Frontline? and ?The American Experience,? was looking to step out with a unified, arresting complex. Having formerly been scattered among 12 different buildings and hidden behind the Harvard Business School in Allston, Mass., the station moved to a new site adjacent to the Massachusetts Turnpike in Brighton.

The lead Polshek architect on the project, Richard Olcott, said the firm decided to make the most of the station?s captive audience: commuters in rush-hour traffic. WGBH was ?interested in being visible, having been invisible for so long,? he said. ?You can see the thing from two miles away.?

The building?s facade is itself a media element: a digital skin that will project varying LED images every day. (The city prohibits any text display there because of broader concerns about commercialization.) On a gray morning, for example, the electronic mural could display fluffy white clouds in a deep blue sky.

The notion is to have the building consistently engaging with the public. ?Hopefully people will think, ?What is WGBH going to throw at me today?? ? Mr. Olcott said.

With its new building WGBH also wanted to foster more internal communication between its television, radio, Internet and other operations, the architects said. The new 310,000-square-foot headquarters at Market and Beacon Streets encompasses an existing seven-story office building that houses support staff and two levels of television and radio studios on the site of a former parking lot.

They are connected by a two-story bridge that encloses offices for staff members who generate the station?s content. Because of the project?s limited $85 million budget, the architects used corrugated metal siding and glass. Since everyone could not get a window, no one got one; the offices are on the interior, and the circulation is at the perimeter.

?The light is very democratic,? Mr. Olcott said.

The neighborhood itself is in transition, with low-lying houses juxtaposed with a new headquarters for New Balance shoes. Right under WGBH, the Stockyard steakhouse boasts of roast beef hash ?made daily? and ?the best fresh lobster pie in New England.?

?It?s not Beacon Hill,? Mr. Olcott said.

The First Amendment is integrated into the Newseum in Washington, too, inscribed in stone on the facade facing Pennsylvania Avenue. But the institution ? at $450 million and 550,000 square feet, the largest and most expensive of Mr. Polshek?s three projects ? will be largely transparent in appearance.

?We want it to be the opposite of the Washington aesthetic,? said Robert Young, the associate partner in charge of the project, ?open, accessible, easy to get into.?

Seven years in the making, the Newseum is made up of three parallel buildings, like the pages of a newspaper. Exhibits include the first news helicopter, the first news satellite, the top of the radio tower from Tower 2 of the World Trade Center and the largest piece of the Berlin Wall outside Germany today, the architects said.

News personnel from various networks and cable stations are expected to broadcast from the studio, with its real-life backdrop of the nation?s Capitol.

The building?s site, halfway between the Capitol and the White House, echoes its watchdog role, the architects said. ?We have to keep an eye on these two branches of the government,? Mr. Young said.

[kz1000ps]

Since everyone could not get a window, no one got one

I can't tell if this makes all the sense in the world or none at all.


(personal note: this is post #1200 for me.. whoopee! Ron Newman I'm gunning for you!)

[kz1000ps]

2/15

http://img174.imageshack.us/img174/4405/img1394rg8.jpg

http://img170.imageshack.us/img170/5466/img1396de1.jpg

a view from the Market St bridge

http://img204.imageshack.us/img204/8928/img1409of1.jpg

http://img147.imageshack.us/img147/7155/img1413ly6.jpg

http://img204.imageshack.us/img204/703/img1415uj1.jpg

and the backside

http://img147.imageshack.us/img147/7569/img1393wh4.jpg

[vanshnookenraggen]

You hate to see such blatant office park architecture in the city limits but if there is one place where people aren't going to be anyway it is North Brighton along the Pike.

[nm88]

I laughed out loud.

[tocoto]

From the turnpike this building is a lot of fun. I may be alone in this but IMO Boston looks a bit on the dowdy side and could use more action of any kind even if its simply lighting.

[Bos77]

I'm on the Pike every day, and I have to say, I'm one of those people that gets excited to see what's on the screen. They have had everything up there from Hubble Telescope shots, Janis Joplin, old European master paintings, and 'Clifford the Red Dog' on Valentine's Day. The smaller screens that stagger out from the corner add some nice movent as well.

It's certainly better than the hum drum housing and bland buildings that dot the rest of the Pike through Newton and Brighton, and adds a nice splash of color to bland winter days.

[type001]

I'm on the Pike every day, and I have to say, I'm one of those people that gets excited to see what's on the screen. They have had everything up there from Hubble Telescope shots, Janis Joplin, old European master paintings, and 'Clifford the Red Dog' on Valentine's Day. The smaller screens that stagger out from the corner add some nice movent as well.

It's certainly better than the hum drum housing and bland buildings that dot the rest of the Pike through Newton and Brighton, and adds a nice splash of color to bland winter days.

Not only is this a much deserved win for WGBH, But I think that the building is great for a few reasons. 1, it is in fact a very good high-tech design for a station. 2, it interacts well with the commuter traffic. And 3, it creates more density on that bend of I90 right before the city really opens up. The screens themselves almost serve as a brighten-upper (nice pun, eh?) to all the people stuck in traffic coming into work. I bet that people will get at least a little enthused every morning and wonder "what's going to be on the screen today". ANd I bet people will talk about at the water cooler too. "Did you see X on the GBH screen today?"

From 2003 to 2006, I took the Pike into work every day from Watertown. Not only do I miss it, but it would have been great to commute in every day seeing the new building and screen. I miss it. It's a little better than coming in from 93N.

[kz1000ps]

http://img210.imageshack.us/img210/2456/img6528wc0.jpg

http://img248.imageshack.us/img248/4547/img6531pk7.jpg

http://img266.imageshack.us/img266/2635/img6538dq9.jpg

http://img105.imageshack.us/img105/5398/img6539ns0.jpg

[czsz]

^ This has to be the world's first facadectomy of an existing PoMo office park building.

[unterbau]

^ This has to be the world's first facadectomy of an existing PoMo office park building.
They left far too much of the old building, though. That's all you really see from the highway...

[kz1000ps]

WGBH files suit over repairs for video wall

By Eric Moskowitz
Globe Staff / November 13, 2008

First of its kind in the region, the state-of-the-art display covering the western wall of the new WGBH headquarters debuted amid fanfare last year, when it began beaming an ever-changing array of images - Dick Cheney, the Rev. Martin Luther King Jr., Curious George, close-ups of cactuses - to the half-a-million Boston-bound motorists who pass by it each week on the Massachusetts Turnpike.

But after generating lots of talk, and some distraction for passing motorists, the screen went dark five months ago.

WGBH, the public broadcaster responsible for the award-winning science program "NOVA," has been stymied by a technical glitch. The television and radio station turned off the 30-by-45-foot LED display in June after it carried a pockmarked image of Big Bird, the last in a series of pictures marred by dark spots, caused by diodes that switched off when they became too hot.

Now WGBH is suing the installer and manufacturer for breach of contract and failure to honor the warranty for the massive display, known as a digital mural, which was supposed to be visible for 1 1/2 miles. The public broadcaster contends that the two firms failed to properly design and install the display and have resisted requests for them to fix it, according to a suit filed Monday in Suffolk Superior Court.

The parties sued by WGBH know how to fix the display, which began malfunctioning soon after it was turned on in September 2007, said Lucy Sholley, director of marketing and promotion for WGBH. But she contends that they have not honored agreements to repair it or pay for repairs.

While seeking restitution through the court, WGBH will try to fix the screen on its own. "We hope to get it back in action at some point in the new year," Sholley said.

The screen, the region's first major LED display, is bigger than many billboards and about the size of the footprint of a typical suburban home. It is made up of diodes the size of a grain of rice that are embedded into panels on the side of the WGBH building and emit light in red, blue, and green. Together, the diodes are supposed to produce a dazzling range of colors and generate a bright, easily visible image.

WGBH has not disclosed the display's price beyond saying that it was a portion of the $85 million cost of building its headquarters and studio in Brighton, a cantilevered complex alongside the turnpike. The broadcaster did not disclose how much it is seeking in the lawsuit. No federal or state funds were used to construct the project, Sholley said.

Broadway National, a New York company also known as Broadway Neon, won the bid to install the multipanel display. Another New York firm, Mark IV Industries, was selected as the subcontractor to manufacture it, according to the lawsuit filed by WGBH Educational Foundation.

Turner Construction served as WGBH's general contractor but did not handle the LED display.

The suit alleges that Mark IV told WGBH in January that defective power supplies were the problem and purportedly replaced them, but malfunctioning continued. In June, Broadway and Mark IV agreed that the digital mural was failing because the temperature in the cavity between the display and the interior wall became too hot while operating, according to the suit.

Mark IV proposed an air-flow system to solve the problem and agreed to pay for design, engineering, and installation, which prompted WGBH to hire outside consultants at "substantial costs" to design that system, according to the suit. But Mark IV refused to pay, and both Broadway and Mark IV have resisted WGBH's calls for the companies to resolve the situation, the suit contends.

Broadway's president, William Paparella, said in an interview yesterday that he had not yet seen the lawsuit but believed it was largely a dispute between WGBH and Mark IV. He also called it a disagreement about payment that could be resolved out of court.

"There is no work that we performed on the sign that is being disputed, other than that we're connected to these people on paper," said Paparella, who identified his company as Broadway Neon Sign Corp., based in Ronkonkoma, N.Y.

Paparella likened the situation to buying a functioning TV - in this case manufactured by Luminator, a subsidiary of Mark IV Industries - that doesn't work in a particular home. He said Mark IV believes air-flow requirements for the display were not met by WGBH or its general contractor, Turner, while WGBH contends that Mark IV and Broadway are at fault.

A call seeking comment from Mark IV, based in Amherst, N.Y., was initially directed to Luminator, a corporate division based in Plano, Texas, but Luminator directed the call back to Mark IV. There, a corporate spokesman said he could not discuss the situation, given the lawsuit.

WGBH initially proposed the display to take advantage of its new location and raise its profile without offending motorists or violating WGBH's civic-minded tradition.

In order to win approval from the Boston Redevelopment Authority, WGBH agreed to several restrictions: no video, only pictures; no product advertising; minimal display of text (the call letters may accompany the photos for only part of the day); and the use of a low-power screensaver, a night-sky image, after 7 p.m.

The suit contends that the digital mural's problems have cost WGBH substantial time and money.

The suit also alleges that the dark display has left WGBH "unable to deliver its message to the public as intended."

At least one person was unmoved. Last week a blogger calling himself Buoso Donati Jr. said the dark screen meant that during his daily commute, he no longer contemplated how many pledges paid for the display. However, he wrote, "my life seems no less rich."

Eric Moskowitz can be reached at emoskowitz@globe.com.

Link (http://www.boston.com/news/local/articles/2008/11/13/wgbh_files_suit_over_repairs_for_video_wall/)

[kz1000ps]

And here's some images from the past few months:

http://img355.imageshack.us/img355/602/img9564pm5.jpg

http://img139.imageshack.us/img139/6384/img9565zr5.jpg

http://img227.imageshack.us/img227/2474/img9566wo8.jpg

http://img230.imageshack.us/img230/310/img9690xn8.jpg

Contextual:

http://img205.imageshack.us/img205/9329/img0440ws9.jpg

http://img205.imageshack.us/img205/8981/img0540eb3.jpg

[vanshnookenraggen]

You're really gunning for that "Best Photo" award.

[kennedy]

Haha, no kidding. But they are pretty damn good.

And, i'd say it was a very successful facadectomy.

[kz1000ps]

You're really gunning for that "Best Photo" award.

Haha, nah. I've been sitting on these pics for far too long (they date from 9/1 to last week), and this news article gave me the impetus I needed to finally host and post 'em.

[Lrfox]

^I love the subtle tweaking of our moderator's name. Great photos and thanks for sharing them.

[kennedy]

Ha, I didn't even notice at first.

[Boston02124]

today! looks like their finally fixing the screen http://i301.photobucket.com/albums/nn80/boston02124/249-1.jpg http://i301.photobucket.com/albums/nn80/boston02124/250-2.jpg